Lie still with me and watch.
-Anne Sexton
"The Fortress"
SCROLL DOWN TO MAIN GALLERY AND DIRECTIONS
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| MILO 1997 Konica 35/2.0 |
Selected as a "Top Ten Photographic Site" By
".....street photography focuses on the destitute and people living on the
seamy side of life. His portraits reveal the sitters' inner beauty. Strong,
mature work, punctuated by some irreverent humorous images."
"Expressive and often gritty black and white portraiture gives a glimpse into the lives of each of his subjects." -Sabine magazine
ART IS A FOOTPRINT OF THE SOUL
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| CRANBURY STATION 1991 Nikon 8008, Nikkor 105/2.8 macro |
"I wonder if he knew, and I suspect that he did, that he had left me
something far more important, which was his blood in my veins?"
-Tennessee Williams, about his father
DEDICATED TO "MOTHER" AND "DADDY"
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| LITTLE GIRL PLAYING 1997 Konica Hexar, 35/2.0 |
"The force of a photograph is
that it keeps open to scrutiny instants which the normal flow of time
immediately replaces."
-Susan Sontag ON PHOTOGRAPHY
Transparency incurs risks of being judged by others, but as I grow older external opinions don't matter so much except when I learn facts about myself. I am not the first to find that candor is a path to self-discovery. - 1992
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| CUTTER DRAPER Miami 1997 Nikon F4S, Nikkor 50/1.8 |
- DIRECTORY
- CLICK HERE TO GO DIRECT TO MAIN GALLERY BELOW
- CLICK ON ANY FRAMED PHOTO TO VIEW LARGER VERSION
- PAGE FORWARD
- ANTHOLOGY PAGE
- PAGE 2a
PAGE 3, PAGE 3A,
PAGE 4,
PAGE 4A,
PAGE 5,
PAGE 6, PAGE 7,
PAGE 8, PAGE 9,
PAGE 10, PAGE 11, PAGE 12, PAGE 13, PAGE 14, PAGE 15, PAGE 16, PAGE 17, PAGE 18,
PAGE 19, PAGE 20, PAGE 21, PAGE 22, PAGE 23, PAGE 24, PAGE 25, PAGE 26, In-Memory-of-Gizmo,
PAGE 27, PAGE 28, PAGE 30, PAGE 31, PAGE 32, PAGE 33, PAGE 34, PAGE 35, PAGE 36,
PAGE 37, PAGE 38, PAGE 39, PAGE 40, PAGE 41, PAGE 42, PAGE 43, PAGE 44, PAGE 45, PAGE 46, PAGE 47, - CLICK HERE TO RETURN TO THE TOP OF THIS PAGE
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| OTHER SIDE OF THE ISLAND 1992 Nikon 8008 Nikkor 28/2.8 |
OTHER SIDE OF THE ISLAND
One winter day I followed a rugged path around the lake to see for
myself what it was like on the other side of the island. It was beautiful there and
strangely familiar. A few clusters of ice fishermen were on the lake;
otherwise as most always, I was alone.
I have learned from others that pictures must comprise the persons who look
at them- that each person must walk that visual path alone. For me that winter day as sometimes happens,
the camera seemed to bare the very soul... New Jersey 1992
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| SOLITARY TREE 1992 Nikon 8008 |
The photographs which I present are of that which is in me. They touch
my heartstrings; they are footprints of my soul. The pictures generally
dwell on the sweet or the melancholy, the lonely, the fragile or the awesome.
If you study them as I do, you will come to know me pretty well - and something
of yourself too. I...the solitary tree, the hurting alcoholic;
the happy child or the grave of a child all have something in common.
Each in its own realm is a counterpart to the others and the beauty inside
you and me is their commonality... 1991, New Jersey.
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| Man on a Bench New York City 1992 Nikon, Nikkor 50/1.8 |
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| PUERTO RICAN CHILDREN ON CENTRE STREET Trenton, New Jersey 1992 Nikon F4S, Nikkor 50/1.8 |
Each brother sister pair are
cousins.
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| DONUT SHOP South Florida 1998 Nikon F4S, Nikkor 50/1.8, monopod |
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| HAITIAN WOMAN WITH HAT South Florida, 1996 Nikkor 50/1.8 |
Hats such as this are commonly worn by women in the South-Florida Haitian
Community.
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| FEET Miami Florida, 1996 Nikon F4S, 180/2.8 ED |